EOSHD Pro Color 5

Discussion in 'Photo/Video LUTs' started by imagerydictionary, 18 Apr 2022.

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  1. imagerydictionary

    imagerydictionary Skilled

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    37ZXogX.jpg

    https://www.eoshd.com/eoshd-pro-color-5/

    EOSHD Pro Color 5 – Improve Sony’s color science – Now for all Sony cameras including A7S III / A7C / A7 III and more


    EOSHD Pro Color 5 is an advanced colour science solution for Sony mirrorless cameras, including the new A7S III, resulting in better image quality, wider dynamic range, better white balance and more attractive skin tones. Pro Color 5 improves Sony’s overall default look in-camera bringing it closer to the Canon Cinema EOS cameras and Arri Alexa.

    Pro Color 5 works on all Sony mirrorless cameras. There are no longer separate versions for different generations of camera. With version 5 you can use it on all cameras from the A7, A7S and A7R series, as well as for the first time the A9 and A1 series. The latest RX100 series cameras including the A6400, A6500 and A6600 are also supported.

    For the first time you can shoot Pro Color in 8K on the Sony A1 and record 10bit Pro Color on the Sony A7S III and FX3.

    Improve Sony mirrorless video color science straight off the card

    Comprehensively refreshed for 2021 using my latest improvements developed for over 2 years since version 4, Pro Color 5 has been fully tested and developed with Sony’s new 10bit codec and revamped colour science on the A7S III, with stunning results. Although Sony themselves have made some interesting improvements, EOSHD Pro Color 5 is able to bring even better results to the table and more choice beyond just S-Cinetone.

    The new small full frame rangefinder style FX3 and A7C bodies are also compatible.

    For the first time in the series, Pro Color 5 also now works with cameras even if they lack advanced Picture Profiles. Cameras like the Sony A9 and A9 II are supported via Creative Styles, customised white balance settings and other tweaks.

    Pro Color is designed for filmmakers who shoot video in 8K, 4K or 1080p. However it can also be applied to in-camera JPEG stills.

    What’s new?



      • Updated profiles for all current Sony models including existing popular choices like the A7 III and A7C, with entirely new choices of look
      • New 10bit and 8K models supported: Sony A7S III high frame rate 4K, 10bit codec, 8K on the A1 as well as other new models including the FX3 and A7R IV
      • New cinematic profiles inspired by the Alexa, Leica cameras and Canon 1D C
      • Straight out of camera skin tones look more flattering and cinematic
      • Reduce colour clipping and posterisation in artificial light and 8bit
      • Tames the Sony auto white balance system
      • Fixes unwanted color casts and digital looking hues to make any scene look more natural
      • Updated guide with detailed help to get colour where you need it to be
      • All in-camera with no post required
      • No installation software or special firmware required
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    Last edited: 17 Feb 2025
    imagerydictionary, 18 Apr 2022
    #1
    balurgo, frederic73, Julioc42 and 257 others like this.
  2. Jack

    Jack New Member

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    Thanks a lot for this goodie!
     
    Jack, 18 Apr 2022
    #2
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  3. SMNNKV

    SMNNKV New Member

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    The archive contains only a PDF file. Please fix it.
     
    SMNNKV, 19 Apr 2022
    #3
  4. imagerydictionary

    imagerydictionary Skilled

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    That is actually what it is, a bunch of settings in a pdf, but cheers anyway....
     
    imagerydictionary, 19 Apr 2022
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  5. MarkHarris71

    MarkHarris71 New Member

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    LOL...guess you are not familiar with the product
     
    MarkHarris71, 19 Apr 2022
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  6. rudolph0220

    rudolph0220 Apprentice II

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    thank you . i tried to my sony a7ii and result crispy
     
    rudolph0220, 21 Apr 2022
    #6
    imagerydictionary likes this.
  7. redspade1979

    redspade1979 New Member

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    can i ask, if change from pp1 to pp2 do i need to change white balance too? because it has differen settings.
     
    redspade1979, 21 Apr 2022
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  8. imagerydictionary

    imagerydictionary Skilled

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    Well technically yes as they are different values, but it probably wont matter as auto-white balance is very situational anyway

    The solution would be to assign each setup to the saved 1 and 2 positions on the dial (with a7iii)

    Personally I just chose one for my happysnap jpgs, though I'm preferring the Cobalt colors atm...
     
    imagerydictionary, 21 Apr 2022
    #8
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  9. redspade1979

    redspade1979 New Member

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    thank you for clear response i got it.
     
    redspade1979, 23 Apr 2022
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  10. proxa2000

    proxa2000 New Member

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    Thank you!
     
    proxa2000, 13 Jun 2022
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  11. PITENGGG

    PITENGGG New Member

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    THANK YOU SOMUCH
     
    PITENGGG, 27 Aug 2022
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  12. ro3son

    ro3son New Member

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    Many thanks!
    Do you have also LUT's for those settings? It's based on S-Gamut3.Cine color mode and it's probably need a correction in post.
     
    ro3son, 15 Sep 2022
    #12
  13. imagerydictionary

    imagerydictionary Skilled

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    Nope, there was a LUT with the V4 pack
     
    imagerydictionary, 15 Sep 2022
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  14. ro3son

    ro3son New Member

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    OK, thanks, I will try with LUT from v4
     
    ro3son, 15 Sep 2022
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  15. ro3son

    ro3son New Member

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    Well, if you set the camera up as they say, you won't need any LUT's in post-production. It should be good and ready "right out of the box" :)
    Only, just keep correct the white balance.
    (did try and checked)
     
    ro3son, 15 Sep 2022
    #15
    imagerydictionary and BuDWiZeR like this.
  16. BuDWiZeR

    BuDWiZeR Apprentice II

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    yep i just gave this a go and its damn good. i use the venice style setting
     
    BuDWiZeR, 11 Jan 2023
    #16
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  17. Snook

    Snook Master

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    I am a professional film-maker for 30 years and use to use this years ago when the Sony's had crappy color, Nowadays they are much better and I might try this out even though I imagine it won't work with Slog 3 which is far better for Dynamic range than any other Profile. But I maybe surprised if I need a quick color situation. But again the Sony Color is quite good these days and Phantom and Juan Melara LUT"s are pretty hard to beat when using S-log 3. I will check this out just for curiosity.
    That image attached above is quite Magenta/Red heavy and actually does not look that great IMHO.
     
    Last edited: 12 Jan 2023
    Snook, 11 Jan 2023
    #17
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  18. ajsolutions777

    ajsolutions777 New Member

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    Do you have Juan Malera LUTs?
     
    ajsolutions777, 12 Jan 2023
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  19. Snook

    Snook Master

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    They are shared here some where, do a search
     
    Snook, 12 Jan 2023
    #19
  20. ajsolutions777

    ajsolutions777 New Member

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    I did. Couldn't find any post!
     
    ajsolutions777, 12 Jan 2023
    #20
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